Bon vu que ça a l'air de passionner tout le monde... :oops:
Voici la pochette du futur single:

Un extrait du remix de "Really love you"...
http://www.twinfreaks.net/

j'aime pas trop ce remix !!!

Jettez une oreille ici:http://www.juno.co.uk/ppps/products/180768-01.htm

Je l'ai (enfin) commandé !
Par contre il prend son temps pour venir

Est ce que tu sais si il sort en cd?

Normalement, non, c'est des fausses infos...
Et c'est dommage, va falloir que je ressorte ma platine

je viens juste de prendre connaissance du drame ...
j'ai bien fait de détruire ma platine !


Vous aimez , vous ... sincèrement ?

Ben, je préfère avoir un nouvel album de Paul plutôt que ça, c'est sur, mais bon...
Mais il y en a qui sont pas trop mal (pas trop nul ?), j'avais bien aimé le mix au stade de France

ouais tes paroles sont sages ! mais il faut etre
plus que fan il faut etre collectionneur

Here's the short interview I did with Roy "Freelance
Hellraiser" about the work he did with Mr. McCartney:

cb70: You're the envy of fans like myself because you
were able to listen and play around with the
multitrack tapes. After Paul/MPL contacted you to do
the remixing, were you sent the multitrack tapes of
various songs or did you go into Paul's studio, Hogg
Hill/The Mill and have free reign over everything?

Roy: I started the project from home and had access to
the masters for the time I was working on the project.
We did go into Paul's studio to do the final mix for
the project and while there I re-worked a couple of
the tracks and came up with some new ones.

cb70: If you were able to pillage the entire McCartney
catalog for sounds, that must've taken some time. What
was the process for creating the mixes for Twin
Freaks?

Roy: It was a very long process ! I basically spent a
few weeks going through every track of every master
and taking loops that interested me. In some cases
(such as Really Love You) I took a whole live drum
take from What's That You're Doing so as to give the
track as live a sound as possible. Loop after loop can
sound pretty monotonous after a while. I would
catalogue the loops by song key and tempo and build up
a 'palette' of sounds.

cb70: I've noticed some unreleased song samples turned
up on the album. Mainly a song called "Blue Sway" from
the '79 McCartney II sessions. McII must've been a
goldmine for you with all the CS-80 sounds. Did you
have access to many unreleased songs or to his Rude
studio recordings? If so, do you recall any being
totally off the wall in style that only Macca can do?

Roy: The Blue Sway inclusion was Paul's idea and I was
very honoured to work on some unreleased material. The
fascinating thing for me was hearing the
outtakes and banter between the musicians at the very
start and very end of some of the multi-tracks. It
felt like being in the room with them and I did take
some of their chatter and loose jams and used them in
the tracks. Perhaps my favourite was Maybe I'm Amazed
because Paul was doing all this crazy freestyle
drumming noises using his voice - basically Beatboxing
years before it had been invented ! There's some of
this in the Maybe remix on Twin Freaks and scattered
throughout some of the other tracks.

cb70: I wanted to ask you about Lalula. Why is this
the only song with a new title and who named it?

Roy: I came up with the title because that song had no
predominant master track. Every single element is from
a different song - about 10 in total.

cb70: Was Paul involved with the project at all? Did
he sit in on the mixing and suggest which sounds might
be good or did he just approve the finished result?

Roy: When we rehearsed for the '04 Summer tour he was
involved in some of the music - this is where the
Twin Freaks tunes originated. Fortunately he trusted
me a lot and after that let me get on with it pretty
much solo. I can safely say that having remixed many
so-called big acts in the past, Paul was by far the
easiest and most pleasant to work with.

cb70: Any chance of more remixes to be released soon?
I see the Blue Room had some alternate mixes for a day
but I missed them so further releases of this nature
are greatly encouraged

Roy: I did play some mixes in my radio/live sets that
incorporate some of the Twin Freaks instrumentals and
acapellas that probably won't get released.
There might be some new developments towards the end
of this year but I can't really say what - mainly
because I don't know !

cb70: Let me finish by saying it's been a pleasure to
be able to ask you these questions. I know these mixes
will open up a whole new audience for Paul's music and
hat's off to you for them being so superb! The Ram
remixes and McII stuff are fantastic. I'd crawl
through broken glass to be able to listen to the
multitrack tapes from those two albums.

Roy: Thanks very much. As I said, I feel like a very
lucky person indeed to have been asked to do this by
Paul. I'm glad his fans have taken to the project so
well because I was worried that after living with
these great songs for so many years, any alterations
would be viewed as blasphemy. They are there to
compliment the originals and hopefully to open up his
incredible back-catalogue to people that might have
thought his career ended in 1970 !


That is all,
Chris

Ben sous certaines substances ca doit dechirer

Pour ma part je l'ai téléchargé et puis bon pour un album de "techno" ben c'est plutot honnete...

N'oubliez pas qu'en 1989 il a quand meme sorti un titre precurseur intitulé OU EST LE SOLEIL dont les paroles etaient quand meme :

Ou est le soleil ? Dans ma tête travaillée....

Alors entre ca et le remix de Mumbo...

On se moque

Et bien tant qu'in ne sortira pas en CD, je ne l'aurais pas. Je n'ai pas de platine.
Et puis comparé au "Fireman" ça ne pèse pas lourd